Modernism since postmodernism essays on intermedia

Introduction to Communication and Civic Life COM 3 credits An overview of major approaches to the analysis and criticism of contemporary cultural concerns, situating these within the broader historical contexts of communication and cultural theory.

Modernism since postmodernism essays on intermedia

Laura Quinney, Brandeis University, Prof. The conference will be an invitation to look at Romantic meditations on the course of human life, from the poetics of infancy and coming of age, to the literature of maturity.

Shelleyor awaiting an apocalyptic revelation at the end of time, Romanticism offers a meditation on history, reflecting on the burdens of the past and on the disruptions of time in revolutions. That strain between reminiscence and prophecy also manifests itself in the multiple temporalities of Romantic fiction and performance.

Subverting philosophical conceptions, but also the Newtonian physics of time, Romantic writing thus creates its own sense of time, in its own terms, forms, and figures. In its ability to bend the course of time, the Romantic movement appears as essentially untimely.

Its Modernism since postmodernism essays on intermedia persistence into later literary movements and contemporary theory upsets the linearity of periodization. This conference is also an invitation to study the various temporalities of Romanticism as a form of cross-fertilization between nations.

As Romanticism developed at different moments and within different cultures in Europe, but also across the Atlantic, we welcome comparative studies, based on reception and translation. Topics may include but are not limited to: The representation and manipulation of time in Romantic writing and performance The poetics of infancy, coming of age, and maturity in Romantic writing Romanticism and History, from the revolutionary to the apocalyptic Romantic memory, from anamnesis to erasure Prophecy and the will to shape the future in the politics of Romanticism Untimely Romanticism, and its persistence in later literature and theory The times of Romanticism: Most presentations and papers will be in English.

Final papers will be considered for publication following a peer-review process. Abstracts of up to words along with a short biographical note should be sent to the conference organizers before 30 April Early submissions are encouraged.

Recent scholarship has productively situated romanticism against the background of ongoing global wars Bainbridge, Shaw. It has also shown how the romantic experiences of total war Mieszkowski and of a weirdly mundane wartime Favret have decisively shaped modern conceptions of war.

Differences from postmodernism. Late modernism describes movements which both arise from, and react against, trends in modernism and reject some aspect of modernism, while fully developing the conceptual potentiality of the modernist enterprise. In some descriptions post-modernism as a period in art is completed, whereas in others it is a continuing movement in contemporary art. Modernism is a philosophical movement that, along with cultural trends and changes, arose from wide-scale and far-reaching transformations in Western society during the late 19th and early 20th centuries. Among the factors that shaped modernism were the development of modern industrial societies and the rapid growth of cities, followed then . Screening the Industrial City Saint Etienne, France, November Deadline for proposals: 31 January Cinema, an art of the masses yet also a very bourgeois art form, was born in the wake of industrialisation in the late nineteenth century.

Such critical work has enriched our understanding of romanticism and our appreciation of its planetary entanglements, but it also invites us to revisit cultural production in the war-torn long twentieth century that measures its distance from, and proximity to, romantic war-work.

Timed to coincide with the Centennial of the World War I Armistice, and taking place in an iconic world war heritage site, this conference is not only interested in the discrete if protracted events of the two World Wars. Taking seriously Paul K.

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How does the legacy of romanticism inform literary, aesthetic, and cultural responses to the age of World Wars? Do literary and artistic engagements with the World Wars fit or update romantic templates for writing war time?

To what extent do romantic evasions and obsessions persist in global responses to war? To what extent does the global career of romanticism animate non-Western responses to wars that, even if they are called World Wars, were unevenly distributed across the globe?

And does the war-afflicted afterlife of romanticism open up new avenues for a comparative romanticism—for discovering novel differences and resonances between different national romanticisms?

What is the cultural impact of the fact that Britain was not involved in European wars between and excepting the Crimean War while casually waging World War as a Brexit Empire avant la lettre if neverand how does this affect cultural responses to twentieth- and indeed twenty-first-century World War across Europe and the globe?

The conference wants to explore these and other questions through a sustained confrontation of the legacy of romanticism in the age of World Wars. Apart from a number of sessions tailored by invited conveners, the conference will consist of sessions culled from the responses to the call for papers, two keynote lectures by Santanu Das and Paul K.

The work of Hartman, who died inconsisted in a sustained reflection on the interface of romanticism and the aftermath of trauma. As Hartman was born in the interwar period in Germany, spent World War II in rural England, and moved on to a brilliant postwar career in the United States, his legacy invites us to probe the geographical and historical reach of the interface of romanticism and war.

His stunning claim that somehow Wordsworth saved English culture from the disastrous ideologies that ravaged continental Europe in the twentieth century still deserves testing. We invite proposals for minute presentations or for three-paper panels.

Topics could include, but are emphatically not restricted to Romantic resonances in literary and artistic responses to the World Wars Challenges to romantic notions of war in global engagements with World War The afterlife of romantic tropes and techniques in World War literature and art The persistence of the lyric and other romantic genres in an age of war Transnational redeployments of romantic elements The relation between romanticism and modernism in the face of war Romanticism between revolution and catastrophe Romantic aspects of the imagining of globality, planetarity, and total war Liberalism, nationalism, and other political romanticisms Submission: Send proposals as a Word-document to raww kuleuven.

Panel proposals should contain a word panel description, word abstracts for the different papers, short bios of all panelists, and contact data. We will inform you about the acceptance of your proposal no later than 30 May For all queries, please contact raww kuleuven.

Modernism since postmodernism essays on intermedia

The aim of this conference is to question the film genre of the Western as being essentially American by focusing on the transnational dimension of Western narratives and images, as well as the circulation, reception, and production of Westerns outside the United States.

The genre has been widely read within the confines of a national culture and cinema in the U.

In recent film studies, the Western genre is still widely explored, understood, and constructed as an American genre despite overwhelming evidence of foreign production and global circulation since the invention of cinema.

In doing so, studies of the Western strengthen the construction of an American exception that the genre—and the myth of the West it is grounded in—itself promoted.

Modernism since postmodernism essays on intermedia

In order to emancipate studies of the Western from discourses of American exceptionalism, this conference proposes to connect film genre studies with the recent field of transnational cinema. Transnational cinema generally refers to films that cross national borders, as stories, productions, and sometimes both.

Several scholars have pointed out the blind spot of transnationalism in the study of the Western and started to explore the genre from more de-centered perspectives.Differences from postmodernism. Late modernism describes movements which both arise from, and react against, trends in modernism and reject some aspect of modernism, while fully developing the conceptual potentiality of the modernist enterprise.

In some descriptions post-modernism as a period in art is completed, whereas in others it is a continuing movement in contemporary art.

Link to College of Arts and Letters Programs Anthropology. Undergraduate Courses/link to graduate courses Cultural Difference in a Globalized Society (ANT .

Modernism is a philosophical movement that, along with cultural trends and changes, arose from wide-scale and far-reaching transformations in Western society during the late 19th and early 20th centuries. Among the factors that shaped modernism were the development of modern industrial societies and the rapid growth of cities, followed then by reactions of horror to World War I.

Screening the Industrial City Saint Etienne, France, November Deadline for proposals: 31 January Cinema, an art of the masses yet also a very bourgeois art form, was born in the wake of industrialisation in the late nineteenth century. Link to College of Arts and Letters Programs Anthropology.

Undergraduate Courses/link to graduate courses Cultural Difference in a Globalized Society (ANT ) 3 credits Writing Across Curriculum (Gordon Rule).

Differences from postmodernism. Late modernism describes movements which both arise from, and react against, trends in modernism and reject some aspect of modernism, while fully developing the conceptual potentiality of the modernist enterprise.

Abortion in the British Isles, France and North America since University of Paris-Sorbonne, France, November Deadline for proposals: 23 December 🔥Citing and more! Add citations directly into your paper, Check for unintentional plagiarism and check for writing mistakes. Differences from postmodernism. Late modernism describes movements which both arise from, and react against, trends in modernism and reject some aspect of modernism, while fully developing the conceptual potentiality of the modernist enterprise. In some descriptions post-modernism as a period in art is completed, whereas in others it is a continuing movement in contemporary art.

In some descriptions post-modernism as a period in art is completed, whereas in .

Calls for papers – Conferences taking place in November – ESSE